Write

Write

write | Guy L. PaceTo write, or not to write–that is the question:
Whether ’tis wiser in the heart to suffer
The stings and barbs of reviewers and readers
Or to take up pen against a sea of paper
And by writing, satisfy them.

(Apologies to Shakespeare.)

Okay, I promise not to hack The Bard any more.

Carolina Dawn is in the second round of editing with my editor. It’s been a year since I started the project during National Novel Writing Month (NaNoWriMo). I went through the rough draft a couple of times to fix a few things, make sure my timeline wasn’t all messed up, and polish it up. Then I let it simmer for entirely too long. I know. It was a busy summer.

I’m not working on a project this year for NaNoWriMo. I’ve done three NaNo’s, and produced three books. That’s a pretty good score for now. I plan to work on more short fiction and maybe put together a small collection. I may compile the Spirit Missions into a single, special volume and include the two short stories (Amy’s Lesson and The Gift) published here. That might be fun.

When I get closer to a publication date, I’ll keep you all posted and fill the Events page with readings, signings and all that. I hope next spring gets very busy with this third book out.

One of the best parts of writing, I found, is getting to meet readers. Especially young readers.

Keep writing.

 

Done

Done | Guy L. PaceDone.

Nothing is ever–really–done. Especially writing.

I see places in Sudden Mission and Nasty Leftovers where maybe I could have written them a little better. Why? because I keep going back and re-reading parts. I read parts for events. Nothing brings a rough passage, a poor choice of words or phrase to the front like reading it aloud in front of an audience.

As I work through the first round of edits on Carolina Dawn from my editor and my “first reader” (wife) I find little phrases to improve and events to make more exciting. That means the editor will need to see these. And, I’ll have to go through it to review and accept the editor’s changes when it comes back.

You have to have the will and determination to stop. You must put the work down and move on to production. The whole point is to get it to readers. But, you want to get the very best possible story to your readers. So you give it one more pass through.

The problem with this is that every time you make changes, you have to run those changes before another set of eyeballs. You need that third party to look it over to make sure you haven’t made a horrible mistake, misspelled something, or made hash of a paragraph.

At some point in the process of writing, editing, rewriting, revising, and editing some more … you have to stop. Accept the editor’s changes, save the file and start formatting it for e-book and print. If you don’t, you’ll be stuck in this cycle forever.

Keep writing.

(Note: If you haven’t read the first two books, it might be a good time to do so. That way, you’ll be ready for Carolina Dawn when launchsd.)

 

Perception and Reality

Perception and Reality

Eldorado Ditch | Guy L. Pace

Plaque at historical site in Unity, Oregon.

Writing involves perception and reality. How we perceive things and how things really are.

On the one hand, we might be like William H. Packwood, who thought that bringing water to the Willow Creek Drainage in Malheur County in Oregon would be a great idea. His perception was that gold miners in the Willow Creek area needed the additional water. The reality is, the ditch–once constructed–took water badly needed by the ranchers in Baker County. Things got heated and–at one point–explosive.

Politics aside, the ditch was a pretty amazing construction. It wound about 140 miles, five feet at the bottom, seven feet at the top, with a grade of 4.8 feet per mile across mountainous country (Eldorado Pass is 4,623 feet, Willow Creek averages 2,000 feet). Constructed by Chinese laborers.

The perception is the Chinese laborers were cheaper and more reliable. That makes perfectly good, economic sense. You can read about the reality in the link above. It’s an old story of how they built things in the west.

You can still see much of the canal today if you travel through that part of North Central Oregon. If you get to this area, stop at the Unity historical site for more information. A small population of the descendants of the Chinese laborers still live in Baker City. More information on this engineering feat and the people involved is available at The Blue Pine Publishing website.

Travel

So, I didn’t know anything about this canal until earlier this summer when I stopped at the historical site in Unity, OR. I knew some sketchy things about mining in the Blue Mountains and I’ve seen the large dredge in Sumpter, OR (worth a visit!). But, I didn’t get the full picture until I found the historical site in Unity and found a few other online resources as a result. Sometimes you just have to know the questions to ask and the search terms to use.

As I travel, I do try to stop at interpretive sites as much as possible. It’s amazing the information they provide and adjust my perceptions of what happened in the past. Will I use this in a story or novel? Maybe.

Think about it. It makes a good story line. A group hires a brilliant engineer to build something. The project takes precious resources away from another group. There are consequences. Other story threads that would weave through it is the indentured labor used and the “side businesses” that crop up around that activity. And there’s the anger of the other contract laborers who lost out to the cheaper indentured laborers.

I used the word “explosive” earlier. Yes, that would accurately describe that story.

Keep writing.

 

Confidence

Confidence

Confidence | Guy L. PaceWe usually express confidence outwardly. It shows in our body language, dress, attitude, and how we communicate with others.

Or, lack of confidence.

Or, in the example provided by the image here, questionable fashion sense?

Okay, I’m really not one for criticizing other’s fashion taste, though. My wardrobe consists of t-shirts with pockets and jeans. Hmmm … getting off track a little here.

At one panel at the Spokane Science Fiction and Fantasy convention (SpoCon) I listened to fellow authors talk about confidence. When it came down to honest confessions, most said the same thing. While we know our first drafts are awful, we tremble in fear that we will be found as frauds when we submit our work. That’s basically true across the board.

This is familiar territory for men. We spend most of our lives in desperate fear we’ll be found out, and worry we aren’t good enough, smart enough, talented enough, or <whatever> enough. We hold ourselves up to co-workers and find ourselves lacking, and we beat ourselves up regularly. In truth we’re capable, strong, smart, and talented. It is just to hard to admit.

Yellow Jacket

Take the guy in the image with the yellow, double-breasted jacket. He is either, based on the impression, supremely confident and courageous. Or a complete idiot. But, when you compare yourself to certain best-selling authors, they look like that guy in the yellow jacket and you might feel like me–a guy who shows up in jeans and a t-shirt. They act, speak, and lecture like they know everything and the world turns on them. But who are they really?

Is their first draft gold? Does it go to press unchanged, unsullied by an editor? Does that best-selling author struggle with self-confidence after that first draft, wondering if it rises above the 90 percent that is crap in Sturgeon’s law?

What you find out in conventions–especially small, intimate ones where best-selling authors are honest and forthcoming–they struggle with confidence just like the rest of us. They know their first draft is awful. They rewrite, revise, and self-edit before getting more professional help. Just like the rest of us.

One difference is they (those best-selling authors) have been at it longer and manage to find a public persona to present to the world. They get up in the morning, put on that yellow jacket, and lecture to students, meet the adoring public, or get interviewed by the media.

It’s when they take off that yellow jacket and sit down and share with folks at a con, you get to meet the real person and find out they aren’t really any different.

Keep writing.

 

 

Craft

It’s About the Craft

craft | Guy L. PaceWriting is a craft. An art. A skill you hone and improve with practice and time–seasoned with blood and tears.

When you first start writing, your clumsy, stilted prose dribbles down the page. Your words flow in sluggish sentences with passive verbs and all to many adverbs. Your dialog shouts with too many words.

As you practice and improve, you find efficiencies in voice and style. Sometimes you try to imitate another writer’s style to see how things fit. Still, more words end up in the trash bin than in the submission envelope.

Finally, something changes. Your writing becomes a craft. An art. You develop your own style and your own voice. You may still have one roadblock. Fear. You fear letting your feelings, secrets, desires, or beliefs out on the page. What if someone reads that?

“Write hard and clear about what hurts.”Ernest Hemingway

Papa says it best. He also says it concisely and briefly. Your fears try to keep you from getting the hurt, the emotion, the beliefs out on the page. What you may not know: You’re not alone in those things. You are not the only one who hurts, who believes what you do, who feels the way you do about something. You’re not the only one with That secret.

A Service

One of the great services writers do in society is sharing those hard things so others know they are not alone. If you hold it all back, others can’t learn and you’ll always be alone. The story must come out.

“All you have to do is write one true sentence. Write the truest sentence you know.”Ernest Hemingway

Then, write another. And another. Repeat until you’re done and you told the story.

Look, it if were easy, it wouldn’t be a craft or art form. Everyone could do it and stories or novels would have little or no value. So it isn’t easy. Sometimes it’s the hardest thing you’ve ever done. One more quote from Papa.

“There is nothing to writing. All you do is sit down at a typewriter and bleed.” — Ernest Hemingway

The main thing, keep writing. Don’t quit. Don’t give up. Keep improving and learning. Someday you’ll write something others will find and value. Then you’ll know it was all worth it.

Keep writing.