I mentioned last week that Scrivener has templates for characters and settings to help you keep track of details.
When you set up your project you choose the kind of project it will be. In this image I selected Fiction, and i have the choice of Scrivener setting up a n0vel, a novel with parts, or a short story. When I select novel, Scrivener sets up the basic format for manuscript and paperback layouts, as well as the front matter (title pages, cover, copyright). It even sets up a folder for research, where you can keep notes, references, and other material you will need as you go along. In the second image, I show the chapters and a few scenes and how to set up the work area. Here, I used the structure of the chapter/scene in the layout to create my basic outline. Each scene has a brief description of what would happen at that point.
At the bottom of the column on the left, there are templates for the character sketch and setting sketch. These are basic sketches and designed to give you a place to keep details of character and setting. Since my first two novels are not historical, I didn’t need extensive setting sketches. For the second novel, I used a lot of online resources, maps and building plans for the Washington, DC, locations.
Character, though, was something I spent more time developing. The sketch Scrivener provided was a great start to fleshing out my characters. I’ve since figured out a more dynamic method of character development, but I still use the sketches in Scrivener to keep track of details. That’s important as you go from one book to another and carry forward characters.
As mentioned, I didn’t make extensive use of the setting sketch. However, it is a good outline to keep handy if you’re working in a specific, rich, and detailed setting, or more than one setting. I spent more time on Google, Google Maps, satellite images, and other resources and would make my description before moving on. In Sudden Mission, that worked best because I didn’t intend for the characters to return to those sites later. Not practical filling out a dozen or more setting sketches for one time use.
However, in Nasty Leftovers, I did have my characters spend a lot of time in Washington, DC. I probably should have used setting sketches. They could have helped clear up some confusion in the editing process. Still, the imagery of an empty, toxic, DC was not hard to describe.
In book number 3 of this series, I’m pretty much laying waste to North Carolina. I just need to remember which bridges we’re blowing up. Also, in this series, I created this community vaguely on the east side of Raleigh, NC. I’m purposely trying to keep it vague and unidentifiable. I’m not sure why, but if I’m cornered, I’ll probably come up with something.